Forthcoming Events and News

Global East Anglia exhibition

Global East Anglia exhibition

20th May to 19th July 2015

Curated by current MA Museum Studies students at the University of East Anglia, ‘Global East Anglia’ is a response to the students’ exploration of coastal communities and the connections facilitated by the sea, both past and present.

East Anglia is popularly thought of as a quiet, isolated place, cut off on one side by the sea and on the other by the transport system. But as the photographs and objects in this two-part exhibition show, the sea also connects and the region's coastline is full of evidence of these global links whether in public sculpture or in the knick-knacks kept in private homes.

Professor John Mack, Director of SIfA

 

Opening on 20th May 2015 to coincide with the Sainsbury Institute for Art (SIfA) conference Museums, Coastlines and the Sea, the two-part exhibition Global East Anglia will display documentary photographs of East Anglia’s public sculptures and monuments alongside a personal collection donated to the University of East Anglia by Rhoda Gray, a resident of Great Yarmouth. The exhibition is FREE and will be held from 20 May - 19 July 2015, in the School Court, Sainsbury Centre for Visual Arts. This exhibition has been made possible by the financial support from UEA School of Art, Media and American Studies.

 

 

  More information on the exhibition can be found at the following sites:

 

                    

Who was Rhoda Gray?                                                     Sculpting Identity

www.rhodagray.com                                                           http://sculptingidentity.wix.com/exhibition

https://twitter.com/WhoWasRhodaGray                               https://www.pinterest.com/sculptidentity/

https://www.facebook.com/whowasrhodagray                     https://twitter.com/sculptidentity

                                                                                                         https://www.facebook.com/sculptidentity

                                                                                                         Photograph © Sarah Cocke 

 

 

 

 

Third Thursday Lecture

SISJAC Third Thursday Lecture

Every Third Thursday of the month, the Sainsbury Institute hosts a lecture on a topic related to the art and culture of Japan. Talks begin at 6pm (50-minute lecture followed by refreshments).

Every Third Thursday of the month, the Sainsbury Institute for the Study of Japanese Arts and Cultures hosts a lecture on a topic related to the art and culture of Japan. Talks begin at 6pm (50-minute lecture followed by refreshments). Speakers are all specialists in their field and the talks are intended to be accessible to those with no prior knowledge of Japanese history.

Admission is free and all are welcome. Booking essential.

To book a seat email us at sisjac@sainsbury-institute.org or fax 01603 625011 up to two days before the lecture stating your name, number of seats required and a contact number. The lecture will be held at the Weston Room, Cathedral Hostry, Norwich NR1 4DH. The Third Thursday Lecture series is funded by the Great Britain Sasakawa Foundation, Yakult and the Robert and Lisa Sainsbury Charitable Trust.

For more information on the lectures and to book seats:

http://sainsbury-institute.org/news-events/third-thursday-lectures/

 


21 May 2015 / 6pm

The Crystallisation of Kyōgen, Japan’s Classical Comedy: Refinement or Loss of Vigour

Professor Noel Pinnington 
Robert and Lisa Sainsbury Fellow
Associate Professor of Japanese Literature, University of Arizona


About the Lecture

Noh, a ritualistic and beautiful masked drama, was developed 600 years ago, and is still performed today. From the beginning, noh plays have been accompanied by a tradition of comic plays called kyōgen. This lecture will overview various forms kyōgen has taken over the centuries and evaluate the revolution it underwent in the seventeenth century, when performers competed for the patronage of the Tokugawa shoguns and the plays were provided with scripts for the first time.

About the Speaker

Professor Noel Pinnington teaches Japanese Literature at the University of Arizona. He trained as a Hindu priest in his youth before taking up a career in computer science. After several years in Tokyo, he returned to academia, studying at Waseda, and SOAS before gaining his PhD (medieval Japanese thought) at the University of Cambridge in 1993.

Professor Pinnington is currently writing a history of Japanese medieval performance. His last monograph wasTraces in the Way: Michi and the Writings of Komparu Zenchiku (Cornell East Asia Series, 2006) in which he elucidated the theories of the fifteenth-century Japanese Noh performer.

Professor Pinnington’s interests include Japanese literature, poetry and theories of the arts.

 

Good clean fun – the kyōgen actor Shigeyama Sengoro XIII on stage

 

For more information on all the lectures above and to book seats:

http://sainsbury-institute.org/news-events/third-thursday-lectures/


Sainsbury Institute, 64 The Close, Norwich, NR1 4DH
T:  01603 597507 | E: sisjac@sainsbury-institute.org | W: www.sainsbury-institute.org

 

Future Lectures

18 June 2015 | Dr Iza Kavedzija

“The work of art: an Ethnography of contemporary art production in Osaka”

16 July 2015 | Professor John Breen | Carmen Blacker Lecture Series

Details coming soon

 

The Skin of Objects

The Skin of Objects: Rethinking Surfaces in Visual Culture

Conference 27th June 2015

Organised by University of East Anglia, Sainsbury Institute For Art and Norwich Castle Museum and Art Gallery. Call for Papers.

VENUE: Norwich Castle Museum and Art Gallery

Call for Papers

Histories and theories of visual representation have often reduced the meaning of ‘surface’ to superficial elements rather than recognising them as a component which feeds into and activates the visual artwork’s significance. In the visual arts surface has often been seen as sources of meanings and visual information or a self-contained aesthetic whole, exclusively associated with decoration or ornamentation. Jeff Koons prompts us to grapple with what is manifest in the world of objects: skins, materials, even picture planes and varnishes. Koons’ metal ‘balloon animals’ and ‘cartoonish’ mirrors can offer a point of departure to think about the wider field of the weight of surface effects. While certain kinds of object are often treated as if they lack a surface, or are read as entirely ‘surface’. Certain objects prompt us to think about the skin that enfolds them and yet others seem to blind us to their interior. From new developments in Phenomenology and Affect Theory to New Materialism and Thing Theory, we welcome papers which challenge received ideas concerning ‘surface’ in a variety of historical and contemporary contexts.

The Sainsbury Centre for Visual Art, UEA and Norwich Castle Museum & Art Gallery welcome diverse papers on art historical and visual cultural subjects, thinking through the idea of ‘Surface’. We encourage submissions which critique the idea of surface as supplement, and which engage related concepts such as: friction, edge, depth and (in)visibility.

This one-day conference will include guest speakers and an introductory tour of Norwich Castle Museum’s new Jeff Koons exhibition, as well as coffee, a drinks reception and an optional lunch.

To submit a proposal for a 20-minute presentation, we require an abstract not exceeding 300 words and a brief professional biography of 100 words by 25th March 2015.

All submissions should be sent to surfacesuea2015@gmail.com.

Museums conference 2015 text

Museums. Coastlines and the Sea

Conference 20 - 22 May 2015

This conference explores the role of the museum in relation to human engagements with the sea and major water courses such as lakes, lagoons and large river systems.

It primarily intends to address questions in the cultural rather than the scientific or ecological spheres, though it will include responses to environmental factors and climate change.

Participation is welcome from museum professionals, academics in relevant disciplines, artists and others with an interest in how humans in the present and past have conceptualised, encountered, represented and exploited water masses and adjacent shore-lines and coast-lines. It is intended that the conference should be trans-disciplinary in character.

 

For more details visit the conference website

Abstraction and the Art of John Golding exhibition

Abstraction and the Art of John Golding

14 February - 27 September 2015

Showcasing the diversity and variety of modes of abstraction, the exhibition explores key elements of natural, geometric and lyrical abstraction alongside associated movements including Cubism, Vorticism, Orphism, Purism, De Stijl, Suprematism, The Bauhaus, and Minimalism.

Sainsbury Centre for Visual Arts - Admission FREE

Abstract art was a great invention of the twentieth century. Abstraction and the Art of John Golding is an exhibition in two parts; first, it surveys the origins and full development of abstract art at the beginning of the century, and then displays a selection of works of the artist John Golding following the gift of the artist's works to the Sainsbury Centre in 2014.

As painter, teacher and scholar, John Golding held a lifelong fascination with the origins and evolution of abstraction. His seminal text 'Cubism: A History and an Analysis' 1907-1914 was published in 1959.Golding's personal journey as a painter progressed through figuration into abstraction, culminating in emotively-charged and predominantly large-scale canvases imbued with colour, energy and a renewed sense of painterly freedom.

His works are meditations on human experience relating to the body, landscape, light and the elements. Intellectually and artistically, John Golding has made a significant and influential contribution to our understanding of the history of abstract art in the twentieth century.

 

A Path to the Absolute

A Documentary about John Golding by Bruno Wollheim

An extended version of the documentary can be viewed at the exhibition.

 

Sonia Delaunay. 

Project for a cover for Vogue. France. 1916.

Gouache and pencil on paper. h. 34.5 x w. 23.3 cm.

UEA 31174. © L & M Services B.V. Amsterdam

 

SIfA PhD student curates exhibition at Norwich Castle Museum

SIfA PhD student curates exhibition at Norwich Castle Museum

28 March 2015 – 6 March 2016

PhD student, Sarah Moulden, has curated a new in-focus exhibition at Norwich Castle Museum & Art Gallery as an output of her AHRC Collaborative Doctorate Award.

'Almost too daring for an individual' : John Sell Cotman's one-man exhibition, 1806–7

Opening on 28 March, the exhibition re-imagines one of the schemes from a large one-man show that the Norwich born artist, John Sell Cotman (1782–1842), staged in the city during the winter of 1806–7. With a dense hang of 500 artworks, it was one of the largest solo shows ever to have been staged by a British artist, making it a key event not only in Cotman’s own career but in the history of British exhibition culture. Drawing on the Museum’s rich holdings of the artist's early work, the exhibition conjures a visual spectacle akin to that experienced by visitors to the show some two hundred years ago, and highlights the enterprising ways in which Cotman used his artwork to present himself as an ambitious and varied artist at a turning point in his career.

 

Sarah Moulden is completing a PhD, entitled Survival in the British Art World, 1800–1840: The Art and Career of John Sell Cotman, in the Department of Art History and World Art Studies supervised by Dr Sarah Monks of UEA and Dr Andrew Moore formerly of Norwich Caste Museum. She was recently appointed Curator of Art Collections (London and East) at English Heritage.

 

Norwich Castle Museum & Art Gallery

28 March 2015 – 6 March 2016 

Included in museum admission - Adult £7.95, Conc. £6.50, Child £5.20

John Sell Cotman, Behold Yon Oak, 1804, Norfolk Museums Service (Norwich Castle Museum & Art Gallery).